A painting depicting two Carib women wearing long white dresses with lace trim, in conversation with a Carib man wearing red trousers and a yellow jacket. There are palm trees in the background.

Using the Caribbean World to Travel Beyond Identities

By Thabisile Griffin In the late 18th century, people…

ArtEquity and Indigenous Conversations

by Clementine Bordeaux In 2018, the number of American…

Thinking Gender: Feminists Confronting the Carceral State, with reflection and gratitude

By Kali Tambreé On February 22, 2019, the Center for…

Speculative-Speculative Fiction: Jamie Berrout’s Impossible Trans Literatures

By Tony Wei Ling When I presented a paper on Jamie Berrout’s…

My Journey Through the Research Access Crisis

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By Becky Nicolaides Back in 2006 when I made the tough decision…

An excerpt from Mahsa Mohebali’s Negarān nabāsh (Don’t Worry), translated by Mariam Rahmani

Mahsa Mohebali’s Negarān nabāsh, or Don’t Worry, follows…

What’s identity got to do with schooling? Infinite Intersectionality within Quality Education

By Sara Murdock In March 2018 I served as a delegate to the…

George Eliot’s Fraught Feminism

By Jessica Cook Novelist George Eliot is arguably the…

Telling a Historian’s Story

By Kathleen Sheldon When I lived in Beira, Mozambique, for…

Oral History and Social Justice

By Shreya Ramineni Despite their public availability, oral…