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DTSTART;TZID=America/Los_Angeles:20240127T080000
DTEND;TZID=America/Los_Angeles:20240127T170000
DTSTAMP:20260520T012101
CREATED:20231018T215206Z
LAST-MODIFIED:20231018T215434Z
UID:25952-1706342400-1706374800@csw.ucla.edu
SUMMARY:Reconsidering Music\, Technology\, and Gender: A Symposium
DESCRIPTION:Sponsored by UCLA Center for Musical Humanities and Center for the Study of Women|Barbara Streisand Center. \nWhen: January 27\, 2024\nWhere: Lani Hall\, Schoenberg Music Building\, UCLA \nConference Description\nThe ways sounding technologies contribute to the articulation of musical lives and social selves has been a growing area of scholarly interest over the past several decades. Considerations of music technologies’ and tools’ material affordances\, attendant social practices\, cultural codings\, and political ecologies have been taken up by scholars in musicology\, gender studies\, media studies\, science and technology studies\, and beyond. Reconsidering Music\, Technology\, and Gender is a one-day symposium that seeks to revisit the many ways in which musicians and listeners utilize technology (through various plug-ins and softwares\, the internet\, hardwares\, instruments\, and platforms) to create\, challenge\, subvert\, and affirm. This symposium calls for renewed and new perspectives on the intersections of music\, technology\, and gender\, enlivened attention to contemporary contexts and practices of music making\, and un- or under-told counter-histories of celebrations and governances of gender in musical life. We welcome proposals that engage the three terms\, but need not otherwise be limited vis-à-vis genre\, geography\, sound\, social milieu\, or disciplinary methodology. Scholars and practitioners are invited to present in a variety of formats\, including but not limited to: conference-style papers\, panels\, musical performances\, and production demonstrations. \nCall for Papers: Submission Guidelines\nPlease submit an abstract (no more than 250 words) of your proposal using the google form linked below.\nPresentations will each be 15 minutes. Panels/roundtables should incorporate 3-4 presenters and last 45\nminutes. The deadline for submissions is November 1\, 2023. Participants will be notified by November 15\,\n2023. If you have questions\, please email Catherine Provenzano or Lily Shababi. \nSubmit Proposal \nView flier \nContact\nCatherine Provenzano (cprovenzano@schoolofmusic.ucla.edu)\nLily Shababi (lilyshababi@ucla.edu) \nThis symposium is presented by the UCLA Herb Alpert School of Music in collaboration with the Center for the Musical Humanities and co-organizers Catherine Provenzano and Lily Shababi.
URL:https://csw.ucla.edu/event/reconsidering-music-technology-and-gender-a-symposium/
LOCATION:Schoenberg Music Building\, 445 Charles E Young Dr E\, Los Angeles\, 90095\, United States
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/10/Reconsidering-Music-Technology-and-Gender.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240124T160000
DTEND;TZID=America/Los_Angeles:20240124T180000
DTSTAMP:20260520T012101
CREATED:20231222T003541Z
LAST-MODIFIED:20231222T003541Z
UID:26341-1706112000-1706119200@csw.ucla.edu
SUMMARY:Welcome Reception for 2024 UCLA Activists-in-Residence
DESCRIPTION:Where: UCLA Perloff Hall\, DeCafe 365 Portola Plaza Room 1302 Los Angeles\, CA 90095 \nWhen: Wednesday\, January 24\, 2024 · 4 – 6 pm PST \nRSVP Here \nWith a shared commitment to “turn the university inside out” and invite artists\, community organizers\, and movement leaders to undertake power-shifting scholarship and pedagogy focused on social change\, the UCLA Luskin Institute on Inequality and Democracy\, the UCLA Asian American Studies Center\, cityLAB-UCLA\, and the UCLA Center for the Study of Women|Barbra Streisand Center are pleased to announce Ron Collins II\, Lisa “Tiny” Gray-Garcia\, Shengxiao “Sole” Yu\, Robert Clarke\, and Narges Zagub as the 2024 UCLA Activists-in-Residence. \nLearn more about each of the UCLA Activists-in-Residence here and please join us in warmly welcoming our activists to the UCLA community at this year’s welcome reception.\n– ————-\nParking information: The nearest parking lot is Parking Structure 5 (340 Royce Drive\, Los Angeles\, CA 90095). Pay by space parking is available on level 6 of Parking Structure 5. Use Parking Structure 3 as an alternate\, located on the corner of Sunset Blvd. and Hilgard Avenue. Pay by space parking is located on level 1 of Parking Structure 3. \nOnly cash and credit cards may be used at campus payment stations/kiosks. Pay stations accept Visa\, Mastercard\, Discover\, and American Express for your convenience. Pay stations only accept $1\, $5\, and $10 bills and do not give change in the form of cash or credit. Park in an unmarked space and place permit on your car dashboard so it is visible.
URL:https://csw.ucla.edu/event/welcome-reception-for-2024-ucla-activists-in-residence/
LOCATION:Perloff Hall DeCafe
CATEGORIES:Center Supported Research,Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/12/Activist-in-Residence-2024-Flier.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240110T160000
DTEND;TZID=America/Los_Angeles:20240110T170000
DTSTAMP:20260520T012101
CREATED:20231207T002021Z
LAST-MODIFIED:20231212T205017Z
UID:26249-1704902400-1704906000@csw.ucla.edu
SUMMARY:Talk and Reception: Professor Salamishah Tillet
DESCRIPTION:When: January 10\, 4 pm \nWhere: UCLA Royce Hall 314 \nProfessor Salamishah Tillet Pulitzer Prize-winning contributing critic-at-large at The New York Times: \n“‘Rather Than Her Biography’: Listening to Nina Simone’s Diary”\n“If we can draw out the emphasis on the female vocalist’s art\, rather than her biographies” critic Hortense Spillers once wrote. “Then we gather from the singer that power and control maintain an ontological edge. Whatever luck or misfortune the Player has dealt her\, she is\, in the moment of performance\, the primary subject of her own invention” Considering Spillers’s provocative claim\, Professor Salamishah Tillet will look at Civil Rights musician Nina Simone’s diary (and her friendship with the writer Lorraine Hansberry) and discuss the tensions and possibilities that arise as she writes about Simone’s inner life\, while also exploring Simone’s ongoing intellectual influence on American culture. \nRSVP here.\nAbout\nSalamishah Tillet is the Henry Rutgers Professor of Africana Studies and Creative Writing at Rutgers University\, Newark\, and the 2022 Pulitzer Prize-winning contributing critic-at-large at The New York Times. She is the director of Express Newark\, a center for socially engaged art and design art at Rutgers\, and the author of Sites of Slavery: Citizenship and Racial Democracy in the Post-Civil Rights Imagination and\, most recently\, In Search of the Color Purple: The Story of an American Masterpiece. \nCosponsors\nThis event is co-sponsored by Center for the Study of Women|Streisand Center\, the divisions of Humanities\, Social Sciences\, The Herb Alpert School of Music\, The Center for Musical Humanities\, and The UCLA Bixby Center on Population and Reproductive Health.
URL:https://csw.ucla.edu/event/talk-and-reception-professor-salamishah-tillet/
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/jpeg:https://csw.ucla.edu/wp-content/uploads/2023/12/Tillet_SQUARE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231207T190000
DTEND;TZID=America/Los_Angeles:20231207T190000
DTSTAMP:20260520T012101
CREATED:20231125T170126Z
LAST-MODIFIED:20231125T170334Z
UID:26120-1701975600-1701975600@csw.ucla.edu
SUMMARY:Film Screening: Food and Country Screening and Q&A
DESCRIPTION:Where: James Bridges Theater \nWhen: December 7\, 7 pm \nRegister here.\nAttend a film screening\, Food and Country. The screening will be followed by a Q&A with the director\, Laura Gabbert\, and Chef Minh Phan. \nAbout the film: Documentarian Laura Gabbert (City of Gold) and chef/writer/editor Ruth Reichl chronicle the plight of the American food industry in the wake of greedy conglomerates and the COVID-19 pandemic\, talking to independent farmers\, ranchers\, and restaurant owners alike. \nDirector Laura Gabbert and Los Angeles Chef Minh Phan (Phenakite) will join us for a post-screening discussion moderated by UCLA Ph.D. candidate Elizabeth Schiffler (Performance Studies & Food Studies). \nThis event is generously sponsored by: The Rothman Family Institute for Food Studies\, Semel Healthy Campus Initiative Eatwell\, the Center for Performance Studies\, and the Center for the Study of Women|Barbra Streisand Center.
URL:https://csw.ucla.edu/event/film-screening-food-and-country-screening-and-qa/
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/11/Food-and-Country.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231207T180000
DTEND;TZID=America/Los_Angeles:20231207T190000
DTSTAMP:20260520T012101
CREATED:20231114T004417Z
LAST-MODIFIED:20231114T004931Z
UID:26099-1701972000-1701975600@csw.ucla.edu
SUMMARY:Film Screening of "Maria Schneider\, 1983" and Q & A with Elisabeth Subrin
DESCRIPTION:When: Thursday\, December 7\, 2023 \nWhere: TBD \nResearching the life and career of Maria Schneider (The Passenger\, Last Tango in Paris) for a larger project\, filmmaker Elisabeth Subrin discovered a brief interview the actress gave in 1983 for the French TV show Cinéma Cinéma. It’s a conversation alternately defiant and mournful\, with Schneider reflecting with real critical awareness upon the gendered power structures of the film industry as well as the violations she experienced living and working within it — including\, in one painful section\, on the set of Last Tango in Paris. \nElisabeth Subrin is a New York based award-winning director and artist. Her critically acclaimed films and video installations have been featured in numerous festivals and exhibitions internationally\, including solo shows at The Museum of Modern Art\, NY\, Film Society of Lincoln Center and the Vienna Viennale. Subrin’s 2016 award-winning feature narrative\, A Woman\, A Part\, had its world premiere in competition at The Rotterdam International Film Festival and traveled to festivals throughout Europe\, US and Asia. It was released theatrically in 2017. Her 2022 award-winning short film\, Maria Schneider\, 1983\, starring Manal Issa\, Aissa Maiga and Isabel Sandoval\, had its world premiere at the 2022 Cannes International Film Festival in Director’s Fortnight and North American premiere at The 60th New York Film Festival in 2022 and was awarded a 2023 César (French Oscars). A commissioned multi-channel video\, sound and sculptural version\, The Listening Takes\, was on view at David Winton Bell Gallery through June 4th\, 2023. She is currently developing her feature-length bio-pic about Maria Schneider. \nEvent questions? Contact Kristy Guevara-Flanagan (kgflanagan@tft.ucla.edu).
URL:https://csw.ucla.edu/event/film-screening-of-maria-schneider-1983-and-q-a-with-elisabeth-subrin/
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/11/Maria-Schneider.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231207T120000
DTEND;TZID=America/Los_Angeles:20231207T133000
DTSTAMP:20260520T012101
CREATED:20231125T171537Z
LAST-MODIFIED:20231125T172351Z
UID:26130-1701950400-1701955800@csw.ucla.edu
SUMMARY:Queer Career: Sexuality and Work in Modern America Book Talk
DESCRIPTION:Where: Bunche 6275 (Lunch included) \nWhen: Thursday\, December 7\, 12 – 1:30 pm \nView event flyer (PDF). \nMargot Canaday\, Princeton University Dodge Professor of History\, is an award-winning historian who studies gender and sexuality in modern America. She is the author of The Straight State: Sexuality and Citizenship in Twentieth Century America (Princeton\, 2009) and co-editor of Intimate States: Gender\, Sexuality\, and Governance in Modern U.S. History (Chicago\, 2021). Her book\, Queer Career: Sexuality and Work in Modern America (Princeton\, 2023)\, explores the ways that the workplace has mattered for queer people over time\, both as a site of vulnerability and exploitation but sometimes also of deep meaning. \nCo-sponsored by the UCLA History of Gender & Sexuality Working Group\, History Department\, Institute for Research on Labor and Employment\, Center for the Study of Women\, Luskin Center for History and Policy\, Gender Studies Department\, LGBTQ Studies\, Labor Studies\, and the UCLA School of Law Williams Institute
URL:https://csw.ucla.edu/event/queer-career-sexuality-and-work-in-modern-america-book-talk/
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/11/Queer-Career-Flier.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231115T100000
DTEND;TZID=America/Los_Angeles:20231115T120000
DTSTAMP:20260520T012101
CREATED:20231107T220458Z
LAST-MODIFIED:20231107T221054Z
UID:26059-1700042400-1700049600@csw.ucla.edu
SUMMARY:Mariam's Tattoos: The Afterlives of a Humanitarian Photograph
DESCRIPTION:When: Wednesday\, November 15\, 2023\n10:00 am – 12:00 pm (Pacific Time) \nWhere: Virtual \nRSVP for the event.\nVirtual book talk by Professor Elyse Semerdjian\, Robert Aram and Marianne Kaloosdian and Stephen and Marian Mugar Chair of Armenian Genocide Studies at the Strassler Center for Holocaust and Genocide Studies at Clark University. \nForemost among the images of the Armenian Genocide is the communal memory of tattooed Islamized Armenian women. Blue tribal tattoos that covered face and body signified assimilation into Muslim Bedouin and Kurdish households. Dr. Elyse Semerdjian will discuss her book Remnants wherein tattooed and scar-bearing bodies reveal the larger history of gender and genocide. However\, she will focus her discussion on contextualizing a single 1919 humanitarian portrait of a young woman named Mariam Azarian. While collecting and accessioning process left the genocide victim’s name in oblivion\, Semerdjian will showcase her methodological approach to the subject of tattooed Armenian women and the possibilities for recovering information from a mutilated post-genocide archive. \nCosponsored by:\nThis event is organized by the Armenian Genocide Research Program of the Promise Armenian Institute at UCLA and co-sponsored by the National Association for Armenian Studies and Research\, the UCLA Center for the Study of Women\, the Ararat-Eskijian Museum\, and the UCLA Center for Near Eastern Studies.
URL:https://csw.ucla.edu/event/mariams-tattoos-the-afterlives-of-a-humanitarian-photograph/
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/jpeg:https://csw.ucla.edu/wp-content/uploads/2023/11/Mariam-2h-w54.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231113
DTEND;VALUE=DATE:20231115
DTSTAMP:20260520T012101
CREATED:20231102T201422Z
LAST-MODIFIED:20231102T201523Z
UID:26029-1699833600-1700006399@csw.ucla.edu
SUMMARY:ELTS 3rd Annual Graduate Student Conference
DESCRIPTION:Where: Royce Hall 308 \nWhen: November 13-14\, 2023 \nJoin the Department of European Languages and Transcultural Studies’ 3rd Annual Graduate Student Conference: “Speculative Futurities\, Past and Present.” \nRegister Here\nView the program (PDF). \nThe graduate students of the Department of European Languages and Transcultural Studies at the University of California\, Los Angeles are inviting submissions to the third annual ELTS Graduate Student Conference. Our keynote speakers will be Prof. Lydie Moudileno (University of Southern California) and Prof. David Bates (University of California\, Berkeley). \nAmir Eshel’s Futurity suggests that literary representations of the past are not only key to understanding our present\, but they also allow us to set the stage for the future\, to improve our understanding of its stakes. Our conference expands on this mode of thinking by reconsidering the ways in which time and space have been and are currently imagined in connection to the European continent and its transnational legacies. What does it mean to speculate on and envision “futurity\,” or the lack thereof? Who holds the keys to imagining\, conceptualizing\, and identifying the future\, and who is seen as even having one?
URL:https://csw.ucla.edu/event/elts-3rd-annual-graduate-student-conference/
LOCATION:308 Royce Hall
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/11/ELTS-Conference.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231109T140000
DTEND;TZID=America/Los_Angeles:20231109T160000
DTSTAMP:20260520T012101
CREATED:20231031T001056Z
LAST-MODIFIED:20231106T201036Z
UID:25999-1699538400-1699545600@csw.ucla.edu
SUMMARY:Gendered Fortunes Book Talk
DESCRIPTION:When: Thursday\, November 9\, 2-4 pm  \nWhere: UCLA Rolfe Courtyard Scultpure Garden \nRSVP Here.\nAbout \nJoin us for a book talk featuring Professor Zeynep Korkman in discussion Professor Purnima Mankekar. \nIn Gendered Fortunes (Duke University Press)\, Zeynep K. Korkman examines Turkey’s commercial fortunetelling cafés where secular Muslim women and LGBTIQ individuals navigate the precarities of twenty-first-century life. Criminalized by long-standing secularist laws and disdained by contemporary Islamist government\, fortunetelling cafés proliferate in part because they offer shelter from the conservative secularist\, Islamist\, neoliberal\, and gender pressures of the public sphere. Korkman shows how fortunetelling is a form of affective labor through which its participants build intimate feminized publics in which they share and address their hopes and fears. Korkman uses feeling—which is how her interlocutors describe the divination process—as an analytic to view the shifting landscape of gendered vulnerability in Turkey. In so doing\, Korkman foregrounds “feeling” as a feminist lens to explore how those who are pushed to the margins feel their way through oppressive landscapes to create new futures. \nView flier (PDF)
URL:https://csw.ucla.edu/event/gendered-fortunes-book-talk/
LOCATION:Rolfe Courtyard
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/10/Gendered-Fortunes.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231103T100000
DTEND;TZID=America/Los_Angeles:20231103T160000
DTSTAMP:20260520T012101
CREATED:20230822T151351Z
LAST-MODIFIED:20230829T214151Z
UID:25455-1699005600-1699027200@csw.ucla.edu
SUMMARY:Faculty Writing Retreat
DESCRIPTION:Date: Friday\, November 3\, 2023 \nTime: 10:00 AM – 4:00 PM \nLocation: Royce 306 and 314. \nOn-site space is limited. Virtual option available.\nRSVP Here.  \nDo you want to block out a day for writing and contemplation? The quarterly Faculty Writing Retreat is your solution. Join us for a day-long retreat where you can concentrate on your own work alongside like-minded colleagues—we will hold the world at bay for you. Breakfast\, lunch and coffee/tea will be provided in the beautiful setting of Royce Hall. \nThe writing retreat provides a peaceful place to write as well as meals; please bring your computer and any other materials you may need to work. If you have an extension cord\, please bring it\, as power outlets are limited. Also bring some extra clothes for layers\, as the space sometimes tend to be cool. \nWe will have a conversation about the writing process over lunch. This conversation is entirely optional and there will also be a non-work space to enjoy lunch. \nOn-site space is limited. Virtual option available.\nRSVP is required.\nView flier (PDF).\nIf you are no longer able to attend\, please e-mail csw@csw.ucla.edu to let us know.
URL:https://csw.ucla.edu/event/faculty-writing-retreat-2023/
LOCATION:306 and 314 Royce Hall\, UCLA
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/08/Faculty-Writing-Retreat-2023-Flier.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231103
DTEND;VALUE=DATE:20231105
DTSTAMP:20260520T012101
CREATED:20230919T221936Z
LAST-MODIFIED:20230919T222020Z
UID:25674-1698969600-1699142399@csw.ucla.edu
SUMMARY:Beyond The Bars LA Conference
DESCRIPTION:The Center for Justice at UCLA presents a collaboration between the Bruin Underground Scholars (BUS) and the UCLA Prison Education Program (PEP). \nBEYOND THE BARS LA — our third biannual national conference — will take place on Friday and Saturday\, November 3-4\, 2023 at UCLA. The BTB LA team is an inspired group of system-impacted students\, scholars\, advocates\, and activists involved in the international decarceration movement. This conference will center interdisciplinary approaches to prison education\, abolition\, and decarceration as decolonization. The conference will include a series of dynamic presentations from justice-centered organizations\, artists\, activists\, advocates and academics from across the country. \nThis event is free and open to all those who RSVP. Join us for food\, fellowship\, empowerment and more! \nRSVP here. \nView event flier (PDF)
URL:https://csw.ucla.edu/event/beyond-the-bars-la/
LOCATION:UCLA\, 330 De Neve Dr.\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/09/Beyond-the-bars-LA.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231102T190000
DTEND;TZID=America/Los_Angeles:20231102T210000
DTSTAMP:20260520T012101
CREATED:20231011T200341Z
LAST-MODIFIED:20231011T200550Z
UID:25862-1698951600-1698958800@csw.ucla.edu
SUMMARY:"Backlash: Misogyny in the Digital Age" Screening & Panel Discussion
DESCRIPTION:When: Thursday\, November 2\, 2023\n7:00 p.m. Panel & Discussion\nReception to follow \nWhere: California NanoSystems Institute (CNSI)\nUCLA Campus \nRSVP to the event \n\nWarning: This video contains adult content and graphic language\, and is not suitable for children. \nUCLA Division of Social Sciences and UCLA School of Theatre\, Film and Television invite you to attend a special screening of Backlash: Misogyny in the Digital Age followed by a panel discussion featuring: \nGuylaine Maroist\nPresident\, Producer\, Screenwriter\, and Director\, La Ruelle Films \nKiah Morris\nFormer Vermont State Representative \nSarah Roberts\nFaculty Director\, UCLA Center for Critical Internet Inquiry\nAssociate Professor\, UCLA Department of Gender Studies \nModerated by\nKristy Guevara-Flanagan\nProfessor of Documentary Film\, UCLA Department of Film\, Television and Digital Media \nWith a panel introduction by\nSafiya Noble\nInterim Director\, UCLA DataX Initiative\nFounder and Director\, UCLA Center on Race and Digital Justice \nFilm Synopsis: In fall 2017\, the MeToo hashtag shook the planet\, sparking an unprecedented wave of sexual assault accusations in the Western world. Today\, the storm of virulent misogyny is raging on\, flooding our screens with harassment\, defamation\, lynching\, sextortion\, the sharing of intimate photographs\, rape and death threats. According to the UN\, 73% of women are abused online. \nThis feature-length documentary follows four women and one man whose lives have been ransacked by online violence: Laura Boldrini\, the most harassed female politician in Italy; Kiah Morris\, an African-American politician in the state of Vermont who resigned following severe harassment and threats from rightwing extremists; Marion Séclin\, a French YouTuber who received more than 40\,000 sexist messages\, including rape and death threats; Laurence Gratton\, a young teacher in Quebec who was harassed for more than five years by a former colleague; and Glen Canning\, the father of Rehtaeh Parsons\, a young girl who took her own life after photos of her rape were spread online. \nWhat is it like to live with this so-called virtual violence? That’s what this opus aims to show by closely following the victims in their daily lives. As in a horror movie\, we witness in real time the waves of hate that assail them\, the fear that invades their private lives\, and the loss of their sense of security in public spaces. Their lives are marred by a loss of confidence\, and by shame. \nBacklash: Misogyny in the Digital Age also shows how each of these women\, and this man speaking in his late daughter’s name\, are waging the same battle. They share a common cause: refusing to be silenced. Their journeys intertwine. They demand widespread accountability from those who allow the propagation of such hatred\, whether it be the tech giants\, the state\, or the perpetrators themselves. Why this unrelenting and systematic discrimination against women? Can we leave the screen now and shift the age-old paradigm?
URL:https://csw.ucla.edu/event/backlash-misogyny-in-the-digital-age-screening-panel-discussion/
CATEGORIES:Cosponsorship,Streisand Center
ATTACH;FMTTYPE=image/jpeg:https://csw.ucla.edu/wp-content/uploads/2023/10/Backlash-Film_2023.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231028T200000
DTEND;TZID=America/Los_Angeles:20231028T200000
DTSTAMP:20260520T012101
CREATED:20231019T173745Z
LAST-MODIFIED:20231019T173841Z
UID:25967-1698523200-1698523200@csw.ucla.edu
SUMMARY:CinEskwela: Modern Queer Cinema Double Feature
DESCRIPTION:Where: James Bridges Theater\, 235 Charles E Young Drive East Los Angeles\, CA 90095 \nWhen: Saturday\, October 28\, 1-8:00 pm \nGet Tickets \nIn celebration of Filipino American History Month\, Cinema Sala and UCLA’s Center for the Study of Women | Streisand Center present a double feature screening of award-winning queer auteur\, Jun Robles Lana’s BWAKAW and BIG NIGHT! \nThrough the juxtaposition of BWAKAW and BIG NIGHT!\, attendees will gain a deeper understanding of the diverse narratives and artistic approaches employed by Filipinx filmmakers in showcasing LGBTQ+ experiences. \nAfter the double feature\, we will have a panel\, “Bakla and Beyond: A Dialogue on the State of Filipinx Queer Media” to be moderated by Dino-Ray Ramos\, featuring writer-director Jun Robles Lana\, his cinematographer Carlo Canlas Mendoza\, as well as special guests\, GLAAD Award winner\, Rain Valdez\, and actor/comedian Jiavani. \nAs part of tradition in Cinema Sala events\, admission is free\, so please bring something to share for our potluck! Please bring an appetizer\, side dish\, dessert\, or beverage (non-alcoholic). \nParking is available in Parking Structure 3 under visitor parking. Do NOT park where there is an “x” or has blue signs. We recommend putting the James Bridges Theater into Google Maps when navigating. \nDoors open at 1 pm and event ends at 8:00 pm.
URL:https://csw.ucla.edu/event/cineskwela-modern-queer-cinema-double-feature/
LOCATION:Billy Wilder Theater\, James Bridges Theater
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/jpeg:https://csw.ucla.edu/wp-content/uploads/2023/10/https-cdn.evbuc_.com-images-621749519-626837943053-1-original.20231016-203904.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231013T130000
DTEND;TZID=America/Los_Angeles:20231013T140000
DTSTAMP:20260520T012101
CREATED:20230925T214527Z
LAST-MODIFIED:20230925T214836Z
UID:25717-1697202000-1697205600@csw.ucla.edu
SUMMARY:New Books in Filipinx Studies
DESCRIPTION:When: Friday\, October 13\, 2023\, 1 p.m. \nWhere: YRL Presentation Room \nRSVP to New Books in Filipinx Studies \nHear\, meet\, and celebrate authors Josen Diaz and Genevieve Clutario. \nTwo scholars will speak about their recently published books in the Filipinx Studies. Speakers are Josen Diaz\, author of Postcolonial Configurations: Dictatorship\, the Racial Cold War\, and Filipino America(Duke University Press) and Genevieve Clutario\, author of Beauty Regimes: a History of Power and Modern Empire in the Philippines\, 1898-1941 (Duke University Press). Diaz is Associate Professor of Ethnic Studies\, University of San Diego and Clutario is Associate Professor of American Studies at Wellesley College. \nThis event received support from the Center for Southeast Asian Studies\, Asian American Studies Department\, Center for the Study of Women\, Asian American Studies Center\, and the Office of Instructional Development. \nView event flier.
URL:https://csw.ucla.edu/event/new-books-in-filipinx-studies/
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/jpeg:https://csw.ucla.edu/wp-content/uploads/2023/09/image_123650291.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231012T183000
DTEND;TZID=America/Los_Angeles:20231012T200000
DTSTAMP:20260520T012101
CREATED:20230919T214410Z
LAST-MODIFIED:20230919T214842Z
UID:25668-1697135400-1697140800@csw.ucla.edu
SUMMARY:Aribada Film Screening
DESCRIPTION:When: October 12\, 2023\, 6:30 PM\nWhere: UCLA James Bridges Theater \nIn the middle of the Colombian coffee region\, Aribada\, the resurrected monster\, meets Las Traviesas\, a group of indigenous trans women from the Emberá tribes. The magical\, the dreamlike and the performative coexist in their unique world – an aesthetic and spiritual universe in which documentary and fiction merge into a transcultural narrative. Enchanted by the beauty and power of their jais (spirits)\, Aribada decides to join Las Traviesas in creating their own trans*futurist community. \nNatalia Escobar is a Colombian interdisciplinary artist and filmmaker who explores themes of intersectional feminism\, Andean phenomenology\, identity\, and memory in her work. She earned a degree in Fine Art from Central Saint Martins College in London and creates moving images\, soundscapes\, and installations that immerse her audience in new and thought-provoking experiences. \nIn recent years\, Escobar has been collaborating with a community of trans Indigenous women from the Embera people called Las Traviesas. Together\, they are working on a project that aims to promote social transformation through artistic and design processes. Through creating spaces for free expression and the exchange of knowledge\, the project seeks to strengthen the community and empower its participants. \nLearn more.
URL:https://csw.ucla.edu/event/aribada-film-screening/
LOCATION:Billy Wilder Theater\, James Bridges Theater
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/09/Aribada-Event-Poster.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230922
DTEND;VALUE=DATE:20230924
DTSTAMP:20260520T012101
CREATED:20230706T225317Z
LAST-MODIFIED:20230907T200433Z
UID:24240-1695340800-1695513599@csw.ucla.edu
SUMMARY:Decarceral Visions Conference
DESCRIPTION:Organized by the UCLA School of Law\nDate: September 22-September 23\, 2023\nLocation: UCLA School of Law\, 385 Charles E Young Dr E\, Los Angeles\, CA 90095 \nRegister Here\nThis conference is for people and organizations committed to the fight to end mass incarceration and immigration detention. Specifically\, this conference is designed to address important questions that come up in the work to close or prevent the construction of jails\, prisons\, and immigration detention centers: \n\nWhat will happen to the facilities and spaces themselves\, and when should we repurpose them for community use? How can we meaningfully repurpose carceral facilities?\nWhat will happen to people held in these facilities?\nHow can we intervene in plans for jail construction or expansion in ways that can direct government spending outside of the criminal legal system\, work with planners and architects for community-led repurposing\, and further just transitions?\nHow do we address job loss and the community economic impact upon closure? How do we critically analyze the claims that new facilities will be an economic boon?\nHow can government funds used for incarceration be redirected to just transitions and economic development?\nWhat can we learn from the labor and environmental movements’ just transitions framework as we move to close or prevent new carceral facilities?\n\nWho should come?  \nCommunity organizers and advocates involved in campaigns to close\, repurpose\, and/or prevent construction of jails\, prison and immigrant detention centers; students\, scholars\, and practitioners in architecture\, urban planning\, economic redevelopment\, environmental sustainability\, law\, public health\, social work\, municipal budgeting\, labor\, and ESG financing who are supporting or want to support decarceral and just transition efforts in this critical and strategic conference. \nTopics Covered: \n\nParticipatory and community-based planning and architecture processes in campaigns to repurpose jails\, prisons\, and detention centers;\nLessons learned from campaigns to close\, repurpose\, and/or prevent the construction of jails\, prisons\, and detention centers;\nUnderstanding public and private financing\, data analysis\, and budget interventions when proposing carceral facility closure or opposing new construction;\nThe role of public officials in carceral closure and just transitions;\nJust transitions for incarcerated and detained people\, workers\, and communities directly impacted by facility closure;\nLessons on just transition from the environmental justice movement and consideration of the role of public officials; intersections with the environmental justice movement;\nBuilding and implementing a just transition framework for and with incarcerated and detained people\, workers\, and communities directly impacted by facility closure;\nPublic health and social work perspectives on carceral closure and just transitions;\nGender dynamics of carceral closure and just transitions;\nAnd more!\n\nConference Planning Committee: \nEunice Cho\, ACLU National Prison Project; Jasmine Heiss\, Vera Institute of Justice; Marcela Hernandez\, Detention Watch Network; Nicole Porter\, Sentencing Project; Judah Schept\, Professor\, Eastern Kentucky University; Alicia Virani\, UCLA School of Law; Kyle Virgien\, ACLU National Prison Project; Samantha Weaver\, ACLU National Prison Project; Maurice BP-Weeks\, Interrupting Criminalization.
URL:https://csw.ucla.edu/event/decarceral-visions-conference/
LOCATION:UCLA Law School\, 385 Charles E Young Dr E\, Los Angeles\, CA 90095
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/jpeg:https://csw.ucla.edu/wp-content/uploads/2023/07/DC.-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230920T193000
DTEND;TZID=America/Los_Angeles:20230920T210000
DTSTAMP:20260520T012101
CREATED:20230915T001106Z
LAST-MODIFIED:20230915T003607Z
UID:25654-1695238200-1695243600@csw.ucla.edu
SUMMARY:My Name is Andrea
DESCRIPTION:Co-presented by the UCLA Center for the Study of Women|Streisand Center and Hammer Museum. \nMy Name is Andrea is a hybrid feature documentary about one of the most controversial figures of the 20th century. Andrea Dworkin offered a revolutionary analysis of male supremacy with a singular urgency and iconoclastic flair. Decades before #MeToo\, Dworkin called out the pervasiveness of sexism and rape culture\, and the ways it impacts every woman’s daily life. \nShaped by the values of justice and equality learned in the civil rights movement\, the film focuses on key moments from the life of this fearless fighter who demanded that women be seen as fully human. The film features performances by Ashley Judd\, Soko\, Amandla Stenberg\, Andrea Riseborough\, and Christine Lahti\, woven in with rare\, electrifying archival footage of Dworkin. \nFollowed by a conversation with director Pratibha Parmar and Karen Tongsen\, Chair of USC’s Department of Gender & Sexuality Studies.\n2022\, dir: Pratibha Parmar\, DCP\, color\, 90 minutes \nView flyer. \nTicketing: Admission is free. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come\, first served basis. One ticket per guest. Box office opens one hour before the event.\nHammer Museum Member Benefit: Subject to availability\, Hammer Members can choose their preferred seats. Members receive priority ticketing until 15 minutes before the program. Members can pickup a ticket for themselves and a guest. Learn more about membership.\nParking: Valet parking is available on Lindbrook Drive for $10 cash only. Self-parking is available under the museum. Rates are $8 for the first three hours with museum validation\, and $3 for each additional 20 minutes\, with a $22 daily maximum. There is an $8 flat rate after 6 p.m. on weekdays\, and all day on weekends.
URL:https://csw.ucla.edu/event/my-name-is-andrea/
LOCATION:UCLA Hammer Museum – Galleries\, 10899 Wilshire Boulevard\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/09/My-Name-is-Andrea.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230509T123000
DTEND;TZID=America/Los_Angeles:20230509T133000
DTSTAMP:20260520T012101
CREATED:20230320T155715Z
LAST-MODIFIED:20230403T193910Z
UID:23177-1683635400-1683639000@csw.ucla.edu
SUMMARY:Survivor Teach In: From Surviving to Healing
DESCRIPTION:When: May 9th from 12:30-1:30pm \nWhere: Luskin School of Public Affairs Room 2355 \nJoin Survivors and Allies for a community teach-in. \nSurvivors + Allies research collective will share their findings from a UC-wide survey of students on their experiences with campus-based and off-campus resources for survivors of sexual violence. We will also launch a website where you can easily access the data from our survey. This event is a collaboration with the Center for the Study of Women | Streisand Center. Lunch will be served! Please note that this event registration will be capped at 50 people. \nSurvivors + Allies is a student organization that advocates for\, and with\, survivors of sexual violence at the UCs. Our work spans research\, advocacy\, and policy to create change and shift how society thinks about sexual violence. \nContact: UCLASurvivorsAndAllies[at]gmail.com \nRSVP Here. 
URL:https://csw.ucla.edu/event/survivor-teach-in-from-surviving-to-healing/
LOCATION:Luskin Room 2355\, 337 Charles E. Young Drive East\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/03/FROM-SURVIVING-TO-HEALING.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230501
DTEND;VALUE=DATE:20230507
DTSTAMP:20260520T012101
CREATED:20230420T222033Z
LAST-MODIFIED:20230421T215551Z
UID:23855-1682899200-1683417599@csw.ucla.edu
SUMMARY:Coming to You Film Screening
DESCRIPTION:When: May 1-6\, 2023 \nWhere: Various Locations \nComing to You (2021) is coming to Southern California in May 2023! It is a powerful\, groundbreaking documentary film about two women confronting bigotry and redefining their relationship with their queer and transgender (adult) children\, made by a filmmaker working with the acclaimed queer feminist film collective\, PINKS (연분홍치마). The film thoughtfully presents the work of PFLAG Korea (성소수자 부모모임 Parents and Families of LGBTAIQ People in Korea)\, a critical part of LGBTQ activism in South Korea and beyond. \nView event flyer. \nComing to You has fostered critical conversations through international film festivals and community screenings in South Korea\, though it has not yet been widely screened in the U.S. The film makes an important contribution to equity\, diversity\, and social justice\, and it will resonate with queer and trans youth\, families and allies\, students\, activists\, and community builders and advocates throughout Southern California. For more information\, see: \n\n“I love as you are\,” a short video from 2016 Korea Queer Culture Festival.\n“A letter from a Korean mother to all the mothers with LGBT children” (2017)\n“Parents fight for their LGBTQ children’s rights” (2020)\n\nScreening and panel discussion with director Byun Gyu-ri\nand cast members Jeong Eun-ae (Nabi) and Kang Sun-hwa (Vivian) in person\nAll screenings are free and open to the public. \nSchedule\nMonday\, May 1\nUniversity of California\, Irvine (UCI)\n5pm McCormick Screening Room\, UC Irvine \nTuesday\, May 2\nCalifornia State University\, Northridge (CSUN)\n4pm University Library 25 \nWednesday\, May 3\nPasadena City College\n5pm R102 \nFriday\, May 5\nUniversity of California\, Los Angeles (UCLA)\n5pm James Bridges Theater\, Melnitz Hall\, UCLA \nSaturday\, May 6\nLos Angeles community screening + panel discussion\n1-4pm NAVEL 1611 S. Hope Street\, Los Angeles\nRSVP requested. \nFor more information\, please contact feministpoliticskorea@gmail.com. \nCo-presented with GYOPO\, KYCC Koreatown Storytelling Program\, San Gabriel Valley API PFLAG\, and the UCLA community.
URL:https://csw.ucla.edu/event/coming-to-you-in-southern-california/
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/04/Cospnsorship_Coming-to-You-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230414
DTEND;VALUE=DATE:20230416
DTSTAMP:20260520T012101
CREATED:20230320T161928Z
LAST-MODIFIED:20230320T162233Z
UID:23188-1681430400-1681603199@csw.ucla.edu
SUMMARY:Connecting Art and Law for Liberation: Art and Law Festival
DESCRIPTION:When: April 14-15\, 2023 \nWhere: Fowler Museum\, UCLA Campus \nConnecting Art and Law for Liberation (CALL) is an art and law festival hosted by UCLA School of Law’s Prison Law and Policy Program\, Criminal Justice Program\, and the Prison Education Program at UCLA. \nThis year’s conference is a CALL to action to imagine abolitionist futures. The festival will bring together visionary artists\, activists\, attorneys\, advocates\, legal scholars\, and community members to share innovative\, cutting-edge collaborations at the intersection of ART and LAW – aimed at imagining a world without prisons\, policing\, and surveillance. \nFree and open to the public. \nSign up for CALL workshops. \nView the event website. \nView the festival schedule.
URL:https://csw.ucla.edu/event/connecting-art-and-law-for-liberation/
LOCATION:Fowler Museum\, UCLA
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/03/UCLA-CALL-Event-2023.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230413T130000
DTEND;TZID=America/Los_Angeles:20230413T140000
DTSTAMP:20260520T012101
CREATED:20230328T190456Z
LAST-MODIFIED:20230328T190641Z
UID:23547-1681390800-1681394400@csw.ucla.edu
SUMMARY:Data Borders: How Silicon Valley is Building an Industry to Know Immigrants
DESCRIPTION:View the flyer. \nUCLA Center for Critical Internet Inquiry Presents\nData Borders: How Silicon Valley is Building an Industry to Know Immigrants \nThis lecture investigates the emerging state of borderland technology that brings all people into an intimate place of surveillance where data resides and defines inclusion and exclusion to citizenship. Detailing biologically mapping undocumented people through biotechnologies\, Villa-Nicholas shows how Latinx immigrants are the focus and driving force for surveillance by Silicon Valley’s industry within defense technology manufacturing. This murky network gathers data on marginalized communities for purposes of exploitation and control\, implicating law enforcement\, border patrol\, and ICE\, and pulls in public workers and the public\, often without their knowledge or consent. Enriched by interviews of Latinx immigrants\, this work argues that to move beyond a heavily surveilled state that dehumanizes both immigrants and citizens\, we must push for immigrant and citizen privacy information rights along the border and throughout the United States. \nPlease RSVP here. \nFor more information: \nContact Stacy E. Wood (swood@c2i2.ucla.edu).
URL:https://csw.ucla.edu/event/data-borders-how-silicon-valley-is-building-an-industry-to-know-immigrants/
LOCATION:Online/Zoom
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/03/Event-UCLA-Center-for-Critical-Internet-Inquiry.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230308T164500
DTEND;TZID=America/Los_Angeles:20230308T181500
DTSTAMP:20260520T012101
CREATED:20230303T002950Z
LAST-MODIFIED:20230303T002950Z
UID:22676-1678293900-1678299300@csw.ucla.edu
SUMMARY:Keynote by Marion Buller
DESCRIPTION:Keynote by Marion Buller\nWed\, March 8\, 2023\, 4:45 PM – 6:15 PM  \n \nMarion Buller is a judge and human rights advocate who helped form the First Nations Courts in British Columbia and is the first woman Indigenous judge in Canada. She was the Chief Commissioner for the Canadian National Inquiry into Missing and Murdered Indigenous Women and Girls. She is currently Chancellor of the University of Victoria\, BC. \n  \nJudge Buller will speak on the future of justice and reparations for Missing and Murdered Indigenous Women and Girls following the National Inquiry. Julissa Mantilla\, Inter-American Commission on Human Rights Commissioner will follow her remarks with a perspective from the IACHR.
URL:https://csw.ucla.edu/event/keynote-by-marion-buller/
LOCATION:UCLA Meyer and Renee Luskin Conference Center\, Laureate Room\, 425 Westwood Plaza\, Los Angeles\, 90095\, United States
CATEGORIES:Cosponsorship
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230301T153000
DTEND;TZID=America/Los_Angeles:20230301T170000
DTSTAMP:20260520T012101
CREATED:20230228T220651Z
LAST-MODIFIED:20230228T221516Z
UID:22656-1677684600-1677690000@csw.ucla.edu
SUMMARY:“Refusing Death: Immigrant Women and the Fight For Justice in LA”
DESCRIPTION:  \n  \nMarch 1st\, 2023 @  3:30-5 PM (reception 5-6PM) \nBunche Hall/ Zoom \n\nWant to learn more about race and environmental justice in LA? Come to this event with Professor Kim from Loyola Marymount University to talk about the book “Refusing Death”!\n\nDive deep into discussions of race\, class\, gender\, and more.\nRegister here.\n\n\n 
URL:https://csw.ucla.edu/event/refusing-death-immigrant-women-and-the-fight-for-justice-in-la/
CATEGORIES:Cosponsorship
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230223T163000
DTEND;TZID=America/Los_Angeles:20230223T183000
DTSTAMP:20260520T012101
CREATED:20230217T223320Z
LAST-MODIFIED:20230217T223402Z
UID:22568-1677169800-1677177000@csw.ucla.edu
SUMMARY:Liquor Store Dreams: Screening and Q&A with Director\, So Yun Um
DESCRIPTION:  \n \nScreening and Q&A with Director\, So Yun Um\nModerated by Professor Kristy Guevara-Flanagan\nFebruary 23\, 2023 @ 4:30PM\nDarren Star Screening Room \nLiquor Store Dreams is an intimate portrait of two Korean-American children of liquor store owners who set out to bridge generational divides with their immigrant parents in Los Angeles. \nHosted by the UCLA School of Theater\, Film & Television.
URL:https://csw.ucla.edu/event/liquor-store-dreams-screening-and-qa-with-director-so-yun-um/
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2023/02/image001.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230128T193000
DTEND;TZID=America/Los_Angeles:20230128T210000
DTSTAMP:20260520T012101
CREATED:20221205T190807Z
LAST-MODIFIED:20230113T161641Z
UID:22195-1674934200-1674939600@csw.ucla.edu
SUMMARY:We're Alive: Film Screening and Conversation
DESCRIPTION:Co-presented by the UCLA Film & Television Archive. \nSign up to receive updates from the UCLA Center for the Study of Women | Barbra Streisand Center. \nAdmission is free.\nFree tickets must be obtained on a first come\, first served basis at the box office\, where seating will be assigned. \nIn-person: Filmmakers Michie Gleason\, Christine Lesiak\, Kathy Levitt; May Hong HaDuong\, director\, UCLA Film & Television Archive; Grace Hong\, CSW | Streisand Center Director; Colby Lenz\, CSW | Streisand Center Deputy Director of Policy and Community Research; members of the California Coalition for Women Prisoners (CCWP)\, Romarilyn Ralston and Susan Bustamante. \nRestoration World Premiere of We’re Alive (1974).\nMichie Gleason\, Christine Lesiak and Kathy Levitt\, graduate students at UCLA in 1974\, made the documentary We’re Alive as part of a class assignment focused on community engagement. Driven by their activism and an interest in the experiences of incarcerated women\, the filmmakers designed and led a Portapack video workshop at the California Institution for Women (CIW) in Chino\, at the time the largest women’s prison in the United States. \nGleason\, Lesiak and Levitt wanted their mark as filmmakers to be unnoticeable: collaborating with incarcerated people\, whose participation was voluntary\, in order to give the community an opportunity to speak for themselves about the individual and collective experiences. The participants\, taught how to use the equipment\, videotaped portions of the roundtable interviews and group talk. The film balances anonymity with intimacy as the participants\, who speak in detail and are never identified by name\, report candidly on the complexities of life inside the carceral institution while describing the set of challenges and fears they will face when released. Capturing the consciousness-raising style of dialogue that defined feminist discourse in the 1970s\, the women share an acute perspective on prison abolition informed by experiences of gendered and racialized discrimination and economic disenfranchisement\, the effects of drug addiction\, and the parole board’s abuse of power. Several participants recognize the camaraderie—political\, platonic and romantic—that they have experienced in prison. \nThe Archive learned about the documentary around 2016 when requests for the film—whose sparse credits mention UCLA but none of the individuals involved—started filtering into the Archive Research and Study Center. The British Film Institute generously shared its 16mm prints of the film that the Archive scanned for research access. Media scholars Beth Capper and Rox Samer have given context to the documentary\, but its complete production history remained largely unknown until Levitt\, while attending the 2022 UCLA Festival of Preservation\, introduced herself to Archive staff and mentioned the film she co-produced as a UCLA student. At last\, this powerful\, and once orphaned\, film has returned to UCLA and with it the strong\, clear voices of incarcerated women telling their stories of being alive. \nFollowing the film\, the filmmakers of We’re Alive will join moderator Colby Lenz\, CSW | Streisand Center Deputy Director of Policy and Community Research\, and members of the California Coalition for Women Prisoners (CCWP)\, Romarilyn Ralston and Susan Bustamante\, who experienced incarceration at CIW. \nDCP\, b&w/color\, 49 min. Directors: Michie Gleason\, Christine Lesiak\, Kathy Levitt and the women prisoners of the California Institution for Women. Credited as “The Video Workshop of the California Institution for Women and the Women’s Film Workshop of the University of California\, Los Angeles.” \nDigitally restored by the UCLA Film & Television Archive. Funding provided by the Columbia Motion Picture Research Fund. Laboratory services provided by illuminate Studios and Endpoint Audio Labs. Special thanks to Michie Gleason\, Kathy Levitt\, Chris Mohana\, and the British Film Institute. \n \nSpecial thanks to our community partners: California Coalition for Women Prisoners\, UCLA School of Theater\, Film and Television.
URL:https://csw.ucla.edu/event/were-alive/
LOCATION:Billy Wilder Theater\, 10899 Wilshire Blvd.\,\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/jpeg:https://csw.ucla.edu/wp-content/uploads/2022/12/were-alive-crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221108T160000
DTEND;TZID=America/Los_Angeles:20221108T183000
DTSTAMP:20260520T012101
CREATED:20221024T190907Z
LAST-MODIFIED:20221024T190922Z
UID:21452-1667923200-1667932200@csw.ucla.edu
SUMMARY:Death and Dying in Diaspora
DESCRIPTION:Organized by the Department of Asian American Studies\nDate: Tuesday\, November 8\, 2022\nTime: 4:00-6:30 PM\nLocation: 10383 Bunche Hall \nREGISTRATION REQUIRED \n \nIn his new book Filipino Time: Affective Worlds and Contracted Labor\, Allan Isaac examines how contracted service labor performed by Filipinos in the Philippines\, Europe\, the Middle East\, and the United States generates vital affects\, multiple networks\, and other life-worlds as much as it disrupts and dislocates human relations. Affective labor and time are re-articulated in a capacious archive of storytelling about the Filipino labor diaspora in fiction\, musical performance\, ethnography\, and documentary film. Exploring these cultural practices\, Filipino Time traces other ways of sensing\, making sense of\, and feeling time with others\, by weaving narratives of place and belonging out of the hostile but habitable textures of labor-time. \nSignaling his current research project in this talk\, Isaac explores live-streamed funeral vigils\, a technological practice made necessary by Filipino diasporic life\, to highlight two Tagalog concept-words that map other ways to generate ecologies of communality: pakiramdam (literally\, to make oneself felt\, or to feel a presence)\, affective engagement without immediate proximity; andkapiling\, to be in someone’s proximity or vicinity without interaction between two parties. Migrant subjects harness time and the imagination in their creative\, life-making capacities to make communal worlds out of one steeped in the temporalities and logics of capital. \nAllan Punzalan Isaac is Professor of American Studies and English and Associate Humanities Dean at Rutgers University-New Brunswick\, NJ. He specializes in Asian American and comparative race studies and examines issues around migration\, postcoloniality\, gender and sexuality\, and the Philippines and its diaspora. His first book American Tropics: Articulating Filipino America was the recipient of the Association for Asian American Studies Cultural Studies Book Award. His second book is entitled\, Filipino Time: Affective Worlds and Contracted Labor. He taught at DeLaSalle University-Taft in Manila\, Philippines as a Senior Fulbright Scholar. His current research focuses on death and dying in the Filipino diaspora.
URL:https://csw.ucla.edu/event/death-and-dying-in-diaspora/
LOCATION:10383 Bunche Hall\, UCLA\, Los Angeles\, CA
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2022/10/Cosponsorship-AsianAm_Isaac_11.08.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221108T153000
DTEND;TZID=America/Los_Angeles:20221108T180000
DTSTAMP:20260520T012101
CREATED:20221024T193009Z
LAST-MODIFIED:20221026T181756Z
UID:21474-1667921400-1667930400@csw.ucla.edu
SUMMARY:Elemental Cartographies in an Era of Climate Change
DESCRIPTION:Organized by the Department of English and the Department of Gender Studies\nDate: Tuesday\, November 8\, 2022\nTime: 3:30-6:00 PM\nLocation: Charles E. Young Research Library Presentation Room 11348 \nAs we bear witness to the wastelanding of the earth by late liberal capital\, Kānaka Maoli are recovering ancestral knowledges encoded in oli (chants) and moʻolelo (storied history) to activate the elements and transform the effects of global climate change into possibilities for renewed abundance. \nIn this talk\, Candace Fujikane begins with arguments from her recent book\, Mapping Abundance for a Planetary Future: Kanaka Maoli and Critical Settler Cartographies in Hawaiʻi\, contending that global climate change events are not apocalyptic but rather are bringing about the demise of capitalist economies of scarcity\, making way for Indigenous economies of abundance. She will present a preview of her new book\, Elemental Cartographies for a Changing Earth. Kanaka Maoli identify 400\,000 akua or elemental forms and energies\, including the 300 winds of the island of Kanaloa Kahoʻolawe. From 1941 to 1990\, the US Navy used the island as a bombing target\, with the devastating effect of cracking the water table. In the exhausted cartographies of militarized capital\, only 9% of subsurface lands has been cleared of unexploded ordnance. The PKO practitioners\, however\, have long stood to protect the island\, transforming the symbol of the target into a much more generative image of the piko\, the umbilicus that enables the people to be pili (connected) to the akua\, the kūpuna (ancestors)\, and to the pulapula (the seedling descendants to come). Ancestral archives of elemental cartographies map the winds of Kanaloa Kahoʻolawe\, enabling the greening of the island to attract and birth clouds and to manifest decolonial and abolitionist futures. \nElemental Cartographies in an Era of Climate Change looks at the relationships between the elements (lands\, seas\, skies\, clouds\, ocean currents\, wind currents) and between humans and elements as they take place in land struggles and restoration projects on Maui (making kapa for ancestral remains they are finding at a development project)\, Kahoʻolawe (greening of the island to create microclimates in the 30 years since bombing of the island by the military was halted)\, Kahuku on Oʻahu (fight against wind turbines sited too closely to Pacific Islander homes). Fujikana uses a feminist\, indigenous studies\, and critical settler-colonial lens to connect the survival of Pacific Islanders and their concepts of land and water to the realms of reproduction and social reproduction–hallmark concerns of feminist research. \nCandace Fujikane is professor of English at the University of Hawai’i. She co-edited with Jonathan Okamura Asian Settler Colonialism: From Local Governance to the Habits of Everyday Life in Hawai’i (2008). She has recently published Mapping Abundance for a Planetary Future: Kanaka Maoli and Critical Settler Cartographies in Hawaiʻi (2021). She is a Japanese settler ally who stands for lands and waters in Hawaiʻi and for Hawaiian political independence.
URL:https://csw.ucla.edu/event/elemental-cartographies-in-an-era-of-climate-change/
LOCATION:Charles E. Young Research Library\, Presentation Room
CATEGORIES:Cosponsorship
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221102T083000
DTEND;TZID=America/Los_Angeles:20221102T093000
DTSTAMP:20260520T012101
CREATED:20221024T194428Z
LAST-MODIFIED:20221024T194428Z
UID:21485-1667377800-1667381400@csw.ucla.edu
SUMMARY:Public Health Consequences of the Criminalization of Abortion
DESCRIPTION:Organized by the David Geffen School of Medicine and the Iris Cantor – UCLA Women’s Health Center\nDate: Wednesday\, November 2\, 2022\nTime: 8:30-9:30 AM\nLocation: Online/Zoom \n This event will discuss the public health consequences and implications of criminalizing abortion.
URL:https://csw.ucla.edu/event/public-health-consequences-of-the-criminalization-of-abortion/
LOCATION:Online/Zoom
CATEGORIES:Cosponsorship
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221024T150000
DTEND;TZID=America/Los_Angeles:20221024T170000
DTSTAMP:20260520T012101
CREATED:20221017T203715Z
LAST-MODIFIED:20221024T192513Z
UID:21377-1666623600-1666630800@csw.ucla.edu
SUMMARY:Writing Health Through Black Feminist Theory
DESCRIPTION:Organized by the Department of African American Studies and the Collaboratory for Black Feminist Health and Healing\nDate: Monday\, October 24\, 2022\nTime: 3:00-5:00 PM\nLocation: Hershey Hall Grand Salon Rm. 158 and Online/Zoom  \n  \nNatali Valdez\, Assistant Professor\, Anthropology\, Purdue University\, will be speaking about her recent book: Weighing the Future: Race\, Science\, and Pregnancy Trials in the Postgenomic Era\, (University of California Press\, 2022). Valdez is a medical anthropologist and science and technology scholar who studies how race\, gender\, and power are enveloped into scientific knowledge production. She draws from Black feminism and postcolonial feminist science studies to critically examine epigenetic and postgenomic conceptions of ‘the environment’ in biosocial reproduction. This book is the first ethnography of ongoing pregnancy trials in the United States and United Kingdom.
URL:https://csw.ucla.edu/event/writing-health-through-black-feminist-theory/
LOCATION:Hershey Hall Grand Salon Rm. 158\, 612 Charles E Young Dr East\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Cosponsorship
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221006T150000
DTEND;TZID=America/Los_Angeles:20221006T170000
DTSTAMP:20260520T012101
CREATED:20220920T202110Z
LAST-MODIFIED:20220922T181610Z
UID:21266-1665068400-1665075600@csw.ucla.edu
SUMMARY:Caring is Connecting: The Extractive Logics of AI Voice Assistants in the Home
DESCRIPTION:Organized by the Center for Critical Internet Inquiry and the UCLA School of Education & Information Studies\nDate: Thursday\, October 6\, 2022\nTime: 3:00 PM\nLocation: GSE&IS Room 111\nReception and refreshments to follow in the IS Salon.  \n \n“More peace of mind as your loved ones need more care.” This tag line appears in large\, bolded letters on Amazon’s website advertising their service\, Alexa Together. Described as a “new way to provide support for your loved ones\, keeping you together even when you’re apart\,” this “caregiving service” requires a subscription and an Amazon Echo device to facilitate the remote support of elderly family members\, including control of household devices and increased surveillance opportunities. Using Alexa Together as one example\, I consider how the frame of caregiving may be leveraged to “smooth” people’s concerns about privacy and data gathering in voice assistants\, and justify intensified surveillance for elder adults and disabled family members as a function of market segmentation. This talk will explore\n“caring” as a discursive frame for AI voice assistants that creates targeted opportunities for data extraction in the home\, further entangling intimate activities within the home with the big data assemblages that AI urbanism relies on for algorithmic decision making in urban living and governance. \nQuestions? Email: swood@c2i2.ucla.edu
URL:https://csw.ucla.edu/event/caring-is-connecting-the-extractive-logics-of-ai-voice-assistants-in-the-home/
LOCATION:111 GSEIS Building\, 290 Charles E. Young Drive N\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Cosponsorship
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