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SUMMARY:InterActions LA 2020
DESCRIPTION:Organized by the Lewis Center for Regional Policy Studies\nInterActions LA is now a free virtual event. Registration still required.\nDate: Friday\, April 3\, 2020\nTime: 9:30 AM – 12:00 PM\nLocation: Virtual Event \nEvent Details \nThis year’s event will discuss the opportunities to improve safety for women\, girls\, and other vulnerable populations as they travel throughout the Los Angeles region. Too often\, people in these groups feel unsafe in public and this inhibits their freedom\, independence and quality of life. Fear shouldn’t be the status quo for anyone. LA Metro’s recent “Understanding How Women Travel” report highlighted a litany of problems but what are the solutions? How can solutions benefit everyone? \nWe will explore the most pressing problems and opportunities in crime prevention through environmental design\, bystander programs\, and the possibility of other non-policing strategies. Safety improvements should buoy all people and not introduce fear for others with concerns around racial profiling or other biases. \nThis spring\, InterActionsLA will pair results from recent academic work on public transit safety from LA and around the world with real-world examples and thoughts for advancing safety for everyone. Participants will have an opportunity to exchange their best ideas with each other and engage deeply on solutions to advance mobility justice for women\, girls\, and everyone.
URL:https://csw.ucla.edu/event/interactions-la-2020/
LOCATION:Virtual
CATEGORIES:Cosponsorship
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SUMMARY:Digital Dance Criticism: Screens as Choreographic Apparatus
DESCRIPTION:Organized by the UCLA Department of World Arts and Cultures/Dance\nAn online lecture by Kate Mattingly\, University of Utah\nDate: Tuesday\, April 14\, 2020 \nTime: 6:30pm-7:50pm \nLocation: Zoom \nPrior to the introduction of websites and social media\, professional dance criticism circulated through print publications: newspapers\, magazines\, and journals. This presentation examines the current proliferation of screens as platforms for criticism and how they-mobile devices\, laptops\, televisions\, and computers-shift the frameworks that writers and readerships use to engage with dance. I use the concept of a choreographic apparatus to show how digital technologies generate symbiotic relationships between online contexts and contemporary performance. By focusing on three sites-thlNKingDANCE\, On the Boards TV\, and Amara Tabor-Smith’s House/Full of Black Women-I analyze how these platforms challenge widespread assumptions about the disappearance of dance critics. \nKate Mattingly is an Assistant Professor in the School of Dance at the University of Utah. She received her doctoral degree in Performance Studies with a Designated Emphasis in New Media from the University of California\, Berkeley. She currently teaches courses in dance histories\, theory\, and criticism.
URL:https://csw.ucla.edu/event/digital-dance-criticism-screens-as-choreographic-apparatus/
CATEGORIES:Cosponsorship
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