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DTSTART;TZID=America/Los_Angeles:20170410T173000
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UID:5588-1491845400-1496691000@csw.ucla.edu
SUMMARY:Scope Lab Workshops
DESCRIPTION:Scope Lab is a workshop series focused on exploring code as a creative medium with which to understand and represent diverse perspectives. These studies are framed by the questions: “Whose perspectives are represented?”\, “Who has access to the tools to learn and express themselves?”\, and “How do we design tools and projects that are more inclusive?”. Each workshop will consist of hands-on programming exercises\, a lecture and discussion\, and projects developed collaboratively. We will be using a software platform called p5.js\, which is an open source JavaScript framework that makes creating visual media with code on the web accessible to artists\, designers\, educators\, and beginners. For questions or to sign up\, please write to scopelab@p5js.org.\n\nWHO IS SCOPE LAB?\nScope lab workshops are free and open for all UCLA students. Workshops may be attended on a drop-in basis\, but we do encourage students to come to the entire series. No prior coding knowledge is necessary\, all levels of experience are welcomed and encouraged. \nScope Lab is led by Lauren McCarthy\, Assistant Professor in the Design Media Arts Department and Miriam Posner\, Director of the Digital Humanities Program\, with Graduate Researchers Stalgia Grigg and Christina Yglesias. Collaborating groups and departments include UCLA Computer Science\, VoidLab (a feminist student collective in the Design Media Arts Department)\, UCLA Arts Software Studio\, and the NYU Ability Project. \n\n\nThe workshops will occur biweekly on Monday evenings\, from 5:30-7:30pm at the Broad Art Center\, room 3261A (New Mars). \nApril 10 | Uncertainty and Experimental Data Visualisation\nMiriam Posner (Digital Humanities) and Lauren McCarthy (Design Media Arts) \nApril 24 | Experimental Language Design\nAlessandro Warth (Computer Science) \nMay 8 | Feminist Artistic Strategies in Online Spaces\nVoidLab \nMay 22 | Multiperspectival Experimental Data Visualisation\nMiriam Posner (Digital Humanities) and Lauren McCarthy (Design Media Arts) \nJune 5 | Designing for Accessibility and Disability \nClaire Kearney-Volpe (NYU Ability Project) \n\n\nFURTHER READING\nCatherine D’Ignazio\, Lauren Klein\, Feminist Data Visualization\nShaka McGlotten\, Black Data\nJohanna Drucker\, 3DH Visualizations\nJohanna Drucker\, Humanities Approaches to Graphical Display\nMimi Onuoha\, Missing Data Sets\nMushon Zer-Aviv\, If Everything is a Network\, Nothing is a Network\nMelissa Gregg\, Inside the Data Spectacle\nKim Gallon\, Making a Case for the Black Digital Humanities  \n\n\nScope Lab is supported by a grant from the UCLA School of the Arts and Architecture and the UCLA Center for the Study of Women.
URL:https://csw.ucla.edu/event/scope-lab-workshop-uncertainty-experimental-data-visualisation/
LOCATION:3261A Broad Art Center\, UCLA\, UCLA\, Los Angeles
CATEGORIES:Cosponsorship
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DTSTART;TZID=America/Los_Angeles:20170524T154500
DTEND;TZID=America/Los_Angeles:20170524T190000
DTSTAMP:20260506T204015
CREATED:20170518T172148Z
LAST-MODIFIED:20170518T172148Z
UID:6063-1495640700-1495652400@csw.ucla.edu
SUMMARY:Bloodless: A VR Documentary Film by Gina Kim
DESCRIPTION:“Bloodless” is a ten-minute VR film that deals with camp town comfort women for US army stationed in South Korea since the 1950s. The film traces the last living moments of a real-life sex worker who was brutally murdered by a US soldier at the Dongducheond Camptown in South Korea in 1992. Portraying the last hours of her life in the camp town\, the VR film transposes a historical and political issue into a personal and concrete experience. This film was shot on location where the crime took place\, bringing to light ongoing experiences at the 96 camp towns near or around the US military bases.\nA Crayon Film production\, Written and Directed by Gina Kim\, Produced by Jiyoung Kang and Seonah Kim \nArtist Talk: 5-7PM on Wednesday\, May 24th\, 2017 at Darren Star Screening Room \nVR Viewing Experience (RSVP Only): 3:45-5PM on Wednesday\, May 24th\, 2017 at Melnitz Hall TV3 \nPlease RSVP to Sharon Choi (shasung.choi@gmail.com) for VR viewing experience. \nThis project was sponsored by Dankook University Graduate School of Cinematic Content (BK 21 Plus)\, Venta VR\, UCLA Center for the Study of Women\, UCLA The Center for Korean Studies\, UCLA Institute of American Cultures\, UCLA Asian American Studies Center
URL:https://csw.ucla.edu/event/bloodless-vr-documentary-film-gina-kim/
LOCATION:Darren Starr Screening Room\, UCLA School of Theater\, Film\, and Television\, Los Angeles\, 90095
CATEGORIES:Cosponsorship
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DTSTART;TZID=America/Los_Angeles:20170525T160000
DTEND;TZID=America/Los_Angeles:20170525T160000
DTSTAMP:20260506T204015
CREATED:20170504T004650Z
LAST-MODIFIED:20170504T004650Z
UID:5967-1495728000-1495728000@csw.ucla.edu
SUMMARY:Afterland: Poetry of Mai Der Vang
DESCRIPTION:Mai Der Vang is the author of Afterland (Graywolf\, 2017) which received the Walt Whitman Award winner from the Academy of American Poets. Her poetry has appeared or is forthcoming in Poetry\, Virginia Quarterly Review\, New Republic\, and elsewhere. Her essays have been published in the New York Times\, the Washington Post\, and the San Francisco Chronicle\, among others. Mai Der’s work has also been anthologized in Troubling Borders: An Anthology of Art and Literature by Southeast Asian Women in the Diaspora. As an editorial member of the Hmong American Writers’ Circle\, she is co-editor of How Do I Begin: A Hmong American Literary Anthology. Mai Der has received residencies from Hedgebrook and is a Kundiman fellow. She earned her Bachelor of Arts in English from the University of California\, Berkeley\, along with a Master of Fine Arts in Creative Writing/Poetry from Columbia University. She lives in Fresno\, California. \nDATE: May 25\nTIME: 4:00 PM\nLOCATION: Public Affairs 2270 \nCo-sponsors: Southeast Asian Campus Learning Education and Retention\, UCLA Department of English\, Center for Southeast Asian Studies\, Asian American Studies Center\, Department of Asian American Studies\, Department of Community Programs Office & Writing Success Program\, Center for the Study of Women
URL:https://csw.ucla.edu/event/afterland-poetry-mai-der-vang/
LOCATION:Public Affairs 2270\, UCLA
CATEGORIES:Cosponsorship
ATTACH;FMTTYPE=image/png:https://csw.ucla.edu/wp-content/uploads/2017/05/Mai-Der-Vang.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170526
DTEND;VALUE=DATE:20170527
DTSTAMP:20260506T204015
CREATED:20170118T234258Z
LAST-MODIFIED:20170511T205937Z
UID:4759-1495756800-1495843199@csw.ucla.edu
SUMMARY:Forms of Power and the Power of Forms: Annual Comparative Literature Grad Student Conference
DESCRIPTION:This year’s UCLA Comparative Literature Graduate Conference will explore the many ways in which form colludes and contends with\, is created by and creates\, power. From epic poetry to the English sonnet to the novel\, literary forms have conspired with power to produce political identities and practices of domination. Indeed\, one might argue that certain forms were produced by and in the service of power in the first instance. Likewise\, writers and artists have mobilized (literary) form as a site for remix and resistance. Representation—literary\, visual\, or aural—necessarily involves structures of reading\, seeing\, and hearing that hyperlink to powerful modes of knowing and their rebellious detractors.\n\nKeynote speaker: Michelle M. Wright\, Professor of African American Studies and Comparative Literary Studies\, Northwestern University
URL:https://csw.ucla.edu/event/forms-power-power-forms-annual-comparative-literature-grad-student-conference/
LOCATION:Royce 306
CATEGORIES:Cosponsorship
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