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DTSTART;TZID=America/Los_Angeles:20240127T080000
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SUMMARY:Reconsidering Music\, Technology\, and Gender: A Symposium
DESCRIPTION:Sponsored by UCLA Center for Musical Humanities and Center for the Study of Women|Barbara Streisand Center. \nWhen: January 27\, 2024\nWhere: Lani Hall\, Schoenberg Music Building\, UCLA \nConference Description\nThe ways sounding technologies contribute to the articulation of musical lives and social selves has been a growing area of scholarly interest over the past several decades. Considerations of music technologies’ and tools’ material affordances\, attendant social practices\, cultural codings\, and political ecologies have been taken up by scholars in musicology\, gender studies\, media studies\, science and technology studies\, and beyond. Reconsidering Music\, Technology\, and Gender is a one-day symposium that seeks to revisit the many ways in which musicians and listeners utilize technology (through various plug-ins and softwares\, the internet\, hardwares\, instruments\, and platforms) to create\, challenge\, subvert\, and affirm. This symposium calls for renewed and new perspectives on the intersections of music\, technology\, and gender\, enlivened attention to contemporary contexts and practices of music making\, and un- or under-told counter-histories of celebrations and governances of gender in musical life. We welcome proposals that engage the three terms\, but need not otherwise be limited vis-à-vis genre\, geography\, sound\, social milieu\, or disciplinary methodology. Scholars and practitioners are invited to present in a variety of formats\, including but not limited to: conference-style papers\, panels\, musical performances\, and production demonstrations. \nCall for Papers: Submission Guidelines\nPlease submit an abstract (no more than 250 words) of your proposal using the google form linked below.\nPresentations will each be 15 minutes. Panels/roundtables should incorporate 3-4 presenters and last 45\nminutes. The deadline for submissions is November 1\, 2023. Participants will be notified by November 15\,\n2023. If you have questions\, please email Catherine Provenzano or Lily Shababi. \nSubmit Proposal \nView flier \nContact\nCatherine Provenzano (cprovenzano@schoolofmusic.ucla.edu)\nLily Shababi (lilyshababi@ucla.edu) \nThis symposium is presented by the UCLA Herb Alpert School of Music in collaboration with the Center for the Musical Humanities and co-organizers Catherine Provenzano and Lily Shababi.
URL:https://csw.ucla.edu/event/reconsidering-music-technology-and-gender-a-symposium/
LOCATION:Schoenberg Music Building\, 445 Charles E Young Dr E\, Los Angeles\, 90095\, United States
CATEGORIES:Cosponsorship
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SUMMARY:Unsettling Landscape: Experimental Films by Southeast Asian Women Filmmakers
DESCRIPTION:When: January 27\, 2024\, 7:30 pm \nWhere: Billy Wilder Theater \nIn-person: Q&A with filmmakers and UCLA Associate Professor Jasmine Nadua Trice. \nAdmission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come\, first served basis. The box office opens one hour before the event. \nShowcasing a collection of recent experimental works by Southeast Asian women filmmakers\, Unsettling Landscape focuses on short films and videos that critically engage with questions of land\, landscape and the myriad forms of mediation that have been used to capture their image. Like painting and the diorama\, the camera has been a tool of colonial authority\, historical narrative\, and scientific knowledge production\, laying the groundwork for unfettered development projects and extractive capitalism. Capturing an image of land through mediation can be an act of complicity\, binding it and rendering it legible as scenery\, property and territory. Reflexively engaging with such practices of mediation\, these works suggest that the moving image also allows space for refusal. Unearthing the deep time of tectonic shifts and Animist belief systems\, unraveling statist development narratives and unlearning colonial ways of knowing\, these films unsettle the complex relations between lens and land\, offering new possibilities for spatial transformation on screen. \nSeries programmed by CSWAC member and Associate Professor Jasmine Nadua Trice\, UCLA Cinema and Media Studies. \nRelated Media\n\nView PDF of the flier.\nSee Upcoming Events in this Series\nRead Jasmine Trice’s blog post “Unsettling Landscape: Exploring Southeast Asian Women Filmmakers’ Visionary Perspectives.“
URL:https://csw.ucla.edu/event/unsettling-landscape-experimental-films-by-southeast-asian-women-filmmakers/
LOCATION:Billy Wilder Theater\, 10899 Wilshire Blvd.\,\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Center Supported Research
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