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SUMMARY:Once More\, With Feeling... (New Wight Biennial 2020)
DESCRIPTION:Organized by the UCLA Department of Art\nDate: Tuesday\, October 1\, 2020\nTime: 9:00 AM\nLocation: Online Exhibition\, on display Oct 1.-Oct. 31 \nGallery Website \nThe exhibition focuses on the contemporary resonances of the Non-Aligned Movement. We were interested in asking how Race\, Gender\, Sexuality\, and Empire throughout the third world impact contemporary art globally by engaging with how the political project of Non-Alignment finds itself articulated in the aesthetic\, formal\, social\, economic\, and political articulations of contemporary art today. The question that arises is\, why deal with this movement today\, or better\, why have the ideas and concepts of this movement seen such a resurgence\, and with such prominence in art in the past few years? \nThe exhibition will “open” (the website will become live & accessible) on October 1st. The website will display the work (sculpture\, video\, performance\, painting) of the 24 participating artists and will be complemented by programming. There will be 4 different panel discussions each centered around a different theme related to Non-Alignment. There will also be a feminist manifesto writing workshop that will meet 3 times throughout October in order to bring together a manifesto for the exhibition.
URL:https://csw.ucla.edu/event/once-more-with-feeling-new-wight-biennial-2020/
LOCATION:Online
CATEGORIES:Cosponsorship
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DTSTART;TZID=America/Los_Angeles:20201019T121500
DTEND;TZID=America/Los_Angeles:20201102T133000
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SUMMARY:Whose Streets? Building Safe Communities for All
DESCRIPTION:Organized by the UCLA Law Criminal Justice Law Review\nDate: Monday\, October 19\, 2020\nTime: 12:15 – 1:30 PM\nLocation: Online/Zoom\, occurring every Monday for 3 weeks (Oct. 19\, Oct. 26\, and Nov. 2) \nEvent Details: Session 1 | Session 2 | Session 3 \nFree and open to the public\, this symposium will invite scholars\, policymakers\, and activists together to discuss community-centered alternatives to traditional policing. A major focus of the symposium is to elevate new modes of public safety that better protect vulnerable populations\, including women\, and especially women of color. While this theme will run throughout\, we are focusing a day (10/26) on policing inside the home\, with a special emphasis on discussing interventions for domestic abuse that do not result in greater danger to victims or systemic and unjustified separation of families. \nSpeakers include:\nRonda Goldfein\, Safehouse\nMariah Monsanto\, BYP100 (She Safe\, We Safe campaign)\nAssemblymember Sydney Kamlager-Dove\, California State Assembly\nFarhang Heydari\, Policing Project at NYU Law
URL:https://csw.ucla.edu/event/whose-streets-building-safe-communities-for-all/
CATEGORIES:Cosponsorship
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DTSTART;TZID=America/Los_Angeles:20201029T150000
DTEND;TZID=America/Los_Angeles:20201029T170000
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SUMMARY:An Archival Cure: Remedy\, Care\, and Curation of HIV-Positive Artists’ Records with the Visual AIDS Archive Project
DESCRIPTION:Organized by the UCLA Department of Information Studies \nDate: Thursday\, October 29\, 2020\nTime: 3:00 PM\nLocation: Online/Zoom \nMarika Cifor\, PhD\, is an Assistant Professor in the Information School at the University of Washington. She is a feminist scholar of archival studies and digital studies. Her research investigates how individuals and communities marginalized by gender\, sexuality\, race and ethnicity\, and HIV-status are represented and how they document and represent themselves and their social movements in archives and digital cultures. This multidisciplinary scholarship uncovers how archives and digital technologies\, data\, and cultures are shaping identities\, experiences\, and social movements. \nAIDS activists\, advocacy organizations\, physicians and medical researchers\, and people living with HIV/AIDS have devoted vast energy and resources to finding a medical cure for HIV/AIDS. Now well into the fourth decade of the HIV/AIDS pandemic\, a medical cure remains elusive. Drawing from her book-in-progress\, Viral Cultures: Activist Archives at the End of AIDS\, Marika Cifor examines activist archiving as cure. Since 1994\, Visual AIDS a community-based arts organization has documented\, collected\, preserved\, and made accessible the records of artists living with HIV and estates of artists who have perished\, in order to preserve and honor their legacies\, and to expose and redress AIDS’ injustices. The holistic cure Visual AIDS demands is requisite to responding in kind to an epidemic that is and always has been political and cultural as much as biomedical. In this talk\, Cifor analyzes the Archive Project’s curative efforts and their implications in three parts. First\, examining the archives as a remedy for one kind of death\, that of artistic career. Second\, she turns to AIDS archiving as communal acts of critical care. Finally\, she examines the archives as curing\, preserving digitally to ensure long-term animation. The Archive Project and the Artist+ Registry\, its digital archives counterpart\, highlight the material and conceptual affordances of archiving as anti-AIDS activism. Its records and their nimble activation hold imaginative capacities for challenging persistent gendered\, racialized\, and classed discrimination and stigmatization faced by those living with HIV/AIDS. The archives’ work also demonstrates the conjoined limitations of art and activist archiving in meeting urgent needs and redressing harm. Despite such constraints\, activist archiving can vitally engender survival.
URL:https://csw.ucla.edu/event/an-archival-cure-remedy-care-and-curation-of-hiv-positive-artists-records-with-the-visual-aids-archive-project/
CATEGORIES:Cosponsorship
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